All stanley spencer Oil Paintings

English painter and daughtsman. Spencer received his first formal training in 1907 at the Maidenhead Technical Institute, Berkshire. A year later he enrolled at the Slade School, London, where, as a day student nicknamed 'Cookham' by his fellow students, he remained until 1912. In that year his painting the Nativity (London, U. Coll.) was awarded both the Melville Nettleship and the Composition prizes. It shows the wide range of his early influences, from 15th-century Renaissance painting to the Pre-Raphaelites and Post-Impressionism: just as Gauguin's Yellow Christ (1889; Buffalo, NY, Albright-Knox A.G.) was set in Pont Aven, Spencer's similarly Neo-primitive Holy Family is placed in Mill Lane, Cookham. By then Spencer had firmly established his birthplace at the centre of his spiritual universe. He wrote, 'When I left the Slade and went back to Cookham, I entered a kind of earthly paradise. Everything seemed fresh and to belong to the morning. My ideas were beginning to unfold in fine order when along comes the war and smashes everything.'
 
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  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
 
stanley spencer swan upping at cookham oil painting


swan upping at cookham
Gemälde IDENTIFIZIERUNG::  56526 		swan upping at cookham
mk247 c.1919,oil on canvas,58.25x45.5 in,148x115.5 cm,tate collection,london,uk
mk247 c.1919,oil on canvas,58.25x45.5 in,148x115.5 cm,tate collection,london,uk
   
   
     
stanley spencer map reading oil painting


map reading
Gemälde IDENTIFIZIERUNG::  56548 		map reading
mk247 1926 to 32,oil on canvas,85x72 in,208.5x185.5 cm,sandham memorial chapel ,burghclere,uk
mk247 1926 to 32,oil on canvas,85x72 in,208.5x185.5 cm,sandham memorial chapel ,burghclere,uk
   
   
     
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     stanley spencer
     English painter and daughtsman. Spencer received his first formal training in 1907 at the Maidenhead Technical Institute, Berkshire. A year later he enrolled at the Slade School, London, where, as a day student nicknamed 'Cookham' by his fellow students, he remained until 1912. In that year his painting the Nativity (London, U. Coll.) was awarded both the Melville Nettleship and the Composition prizes. It shows the wide range of his early influences, from 15th-century Renaissance painting to the Pre-Raphaelites and Post-Impressionism: just as Gauguin's Yellow Christ (1889; Buffalo, NY, Albright-Knox A.G.) was set in Pont Aven, Spencer's similarly Neo-primitive Holy Family is placed in Mill Lane, Cookham. By then Spencer had firmly established his birthplace at the centre of his spiritual universe. He wrote, 'When I left the Slade and went back to Cookham, I entered a kind of earthly paradise. Everything seemed fresh and to belong to the morning. My ideas were beginning to unfold in fine order when along comes the war and smashes everything.'

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